Saturday, September 12, 2015

an excerpt from TWO FISTED CARTOONISTS

excerpt from...... two fisted cartoonists by Julius Shwortz



danny sulivan led a short but charmed life, with a flame that seemed to burn a bit hotter than most. danny spent his formative years growing up in various circus' and sideshows with his family the sensational sulivans. traveling the countryside of the early and mid sixties north america. in the off season he worked with gus shineola the famous sideshow banner painter in gainesville flordia. and also spent some time with the great ozmo, the tattoo artist in gibbstown who would sometimes go out on tour with the circus.

when his circus troupe passed thou new york in 1968 a then 8 year old danny was treated to a tour of the skidmore offices. the skidmore's were dannys favorite comics and he was sure to bring along samples of his art. particularly  impressive were mock up pages of a mystic knights story that danny had done a few months before.

john zarina made sure he went out for lunch on the first and third tuesdays of the month. they were the days that skidmore held afternoon tours of the office for fans and the general public. it was bad enough that he had to give all new employees the 'what skidmore is all about' speach, that mel skidmore used to take such pleasure in. he really had no love for it. found it 'a godamned pain in the ass' as he put it in a 1975 interview. he knew he'd be suckered into giving the tours if he hung around there on those days, so he always managed to find some excuse in the mid morning to get out of there. twice a month zarina would stay way too long at the art stores and magazine stands of Manhattan. grab lunch and manage to avoid the whole ugly process. it was a system that worked for years.

some of the fans were just out of hand! demanding sketches of spidora, asking inane questions about continuity that he had never for a moment considered and then having to look at all thoes god awful portfolio's! it was a real shame all those trees had to die for most of these artistic efforts. razina hadnt seen a decent one in five years. then again he wasn't really looking either, but somehow they were always forced apon him. when skidmore hired a new artists razina always felt like he was geting the honor of training his replacement. it was the nature of the business all to often.

then a day in 1968 fate intervened. razina somehow forgot his wallet in the skidmore office. besides worrying if one of those god damned hippies who now invaded skidmore's office, wouldn't steal it. it also meant that he had to go back to the office for it. he knew what would be waiting there and didn't even have enough cash in his pocket for a hot dog vendor.

at about 2:30 razina only had about five more portfolio's to get thru before he could finaly get a sandwich in his growling stomach. when he came upon danny sulivan's mystery school story, he couldn't believe his eyes! here was a style that was able to combine the best parts of steven dio and jake kilineberg into one! there was a little bit of horace woodly in there too but you had to look for it. at last here was an artist that razina considered up to the quality that he himself considered the standard of skidmore comics. it was sharp, clean and professional! it featured a crazy new lay out style that was inspiring, yet had the same kind of feel or 'hand' of the old comic masters.  he wandered out to the lobby and looked around to find out what hippie or old weirdo was still hanging around there, and all he saw were a bunch of kids who refused to leave. at least they were relitivly quiet, reading their new copies of complementary skidmore comics. some of the young mod mom's were kind cute this time around. one looked particularly good in a short white mini-dress and matching white go-go boots. maybe he could coax her into posing for a mary jo watkins panel in the new spidora story he was falling behind on. it was a tactic that hardly ever worked but it was always worth trying. because who knew? stranger things had happened around the skidmore office almost daily. he didn't want to miss out. maybe this danny sulivan was a chick. so with that in mind..........

he called out, 'sullivan?'......"danny sulivan?'


a young kid threw down the new copy of misery in space, blew out a cloud of smoke and crushed out a lucky strike that razina hadn't noticed the kid was smoking. and danny said 'yo.... right here chief!'

razina thought somebody was putting him on. he looked around for melmon or bolingweather or some other smart ass  that was trying to play some kind of practical joke on him. they would always walk by when he was bogged down in the office, with portfolio's. give a little laugh and pat the mountain of atrocious art and say "happy reading" to him on the times he was caught in this nightmare.

this time was different though. he had found something.
'what's up pappy?' the kid said to razina.
' did'ja get to check out the mystery school pages yet'
razina was incredulous. then he was dumbfounded, stymied, strictly bamboozled! all in a matter of seconds.
'your danny sulivan?'
'at's what they call me. chief.......who the hell are you?'
'i--i'm john razina. you drew those mystery school pages?'
'yeah, a few months ago when it was slow in the sign painting shop. i coulda gone back into tattooing with the great ozmo, but i've had it up to my eyeballs with that shit. i'm done with it!'
danny then signaled to his mother, who opened up her purse, pulled out a fresh pack of lucky's and gave them to danny.
he packed them with all the enthusiasm of an eight year old kid!
'you his mother?' asked razina, still incredulous and now only half stymied.
'and you let him smoke?'
'oh. that.......' she said and gave out a little laugh. 'you see mr.....?'
'razina..... john razina'
'well mr. john razina, you see we are circus people. our world is considerably different than the square world..... sometimes we tend to forget when we're out among the rubes.....i'm sorry....... danny put that out. your upsetting mr. razina!she said in a thick european accent,......'you have no idea, mr. razina, no idea!' she smiled a smile that made razina feel like an idiot.

razina knew that this was the truth! he had no idea.

'the circus you say?'
'oh yeeees! hi, kathy sulivan, of the sensational sulivans. if fact we're preforming tomorrow night at the garden.'
she was a looker all right. dressed up in a sequined cowgirl out fit that did indeed look like she steped straight out of the circus, but styles were constantly changing then. so seeing a woman dressed in a sequined cowgirl outfit was not something that would seem very odd. well not to odd anyway. not for skidmore comics.

'so, whacha think of the pages there pappy?...... do i get the gig?' said danny.
 john razita looked around for melmon or bolingweather again. all he saw was mike sikorski getting his claws into the hottie with the white mini dress on. he couldn't believe it...... she was falling for it and started posing right there in the lobby! the albino bastard!


'you drew these?' razita said to danny.
'sure....i all ready tole ya' that ....... jake klineberg around here at all ..... ya think maybe i could talk to him instead?'

'no....no klineberg's a freelance'

just then hansel zoff and barlington windheim  smyth, the two forigners, came thru the front doors to deliver their monthly assignments. suddenly the smell of strong freshly smoked marajuana was almost overpowering. kathy sullivan sniffed and smiled broadly.

'come over here a minute barlington.' razina called out.
smythe and zoff made their way over.

he laid the pages out on a table and smythe and zoff's jaws droped to the floor!

'young danny here drew these'...... razina said.
'nooooo waaaayyyy!.....' barlington windhiem smythe said with his extremely impressive english accent, zoff's mind was just blown, and he stood there just muttering something in german, that only smythe seemed to understand.

'danka shane' danny said to the german artist.
 

chapter 2


they would have to check out the child labor laws but john razina and manely s! melmon were sure that they had struck gold once again!

it was amazing, he felt like he was talking to a three foot tall jake klineberg. a circus kid......jeezus, what next?
     

razina had two tickets to the next nights circus performance that he had gotten from danny's mother for a signed spidora sketch that danny said he would ink and 'fix up' when he got home.

son-of-a-bitchen kid probably would razina thought to himself and laughed, as he closed up his briefcase and headed downstairs to the bar on the street level of the empire state building. drinking on an empty stomach had sometimes been a problem for razina, but after today he needed a few! he just hoped that mike sikorski wasn't in there. of course he was, with the white mini-dress sitting on his lap as he swilled his drink and sang along to some hokey pop song from the forties that was blaring out of the jukebox. it was even square for razina. but what the hell, he wanted to get a swerve on quick and ordered a double vodka martini.

a few seats down from him was mervin glookman from nationalistic comics but he pretended not to notice him as he gulped down the chilled vodka and started feeling human again. he couldn't believe that kid or his art! it still worked on his mind as he tried desperately to work it out of his mind with the martini. the kid had what it took, there was no denying that, and that mother of his...... jeezus! it took all kinds, he supposed as he ordered another round. thinking of that gold la-may' ass on katie sullivan. good god!

sikorski was pawing all over the chic in the white mini-dress and her kid was on a bar stool playing an illegal slot machine, as smythe and zoff walked out of the mens room rubbing their noses and laughing hysterically as they approached john zarita.

" 'ow's about that kid johnny boy...... think he'll take over the spidora dynasty?' smythe smugly asked. razita was in no mood for it.  he only had about 25 miniutes before the next train. so he could get home to his kids who would pester him all night with more questions about comics. why didn't i keep that job where i designed cardboard boxes all day long. he thought.
'piss off limey...... the beatles suck!' razita said as smythe and zoff continued to laugh even harder. they knew they had gotten his goat!

there were some free happy hour sandwich or hot dog things over in the corner by mervin glookman. at first john resisted them just to avoid talking to glookman, but by now old mervin was already plastered and talking into his drink.  he looked like he was about to snooze. so john flipped off smythe and zoff and headed over there.

he was still trying to figure out just what the hell he was eating when he heard sally tane's loud mouth over at the end of the bar. she was off on another wild rant about the current state of comics and other crap that razita just didn't need to hear. he picked up his briefcase full of spidora pages that he never got to that day, and resigned himself to heading out the door and catching his train.

chapter 3

melmon was in early today, razita thought. he generally wouldn't get in until well after noon. it must be that kid bugging him, as much as he was bugging me razita thought.
'ready for the big top johney?' melmon quiped when he finaly came out of his office. 'sure... manely, sure.' john said, but he wasn't. his wife was highly suspicious of a trip to the circus for the job......and he didn't dare mention it to the kids! he would never hear the end of it if they found out.
mel skidmore was thru yelling over the phone at someone when he called melmon and razina into his office.
'have a seat boys.' mel said as he slid open a file cabnet and grabed a bottle and three glasses.
'so's ya think ya found a ringer..... eh johnny?' said mel.
it was only a little past noon but mel poured them tall. what the hell, john thought. you don't turn down a drink when the old man is pouring them and he could always order liquid lunch.
'yea, s'posed to meet him at the circus tonight if ya'can believe it!'
'kids some kinda escape artist or something.' melmon chimed in.
'and it's just a little kid?' mel asked.
'yea, damnedest thing huh?' said melmon in between gulps.
'well, that turns out just fine, as it looks now. i'm about to let sikorski go. he didn't show up again ta'day. most likely got his dick stuck in some trap and his hands wrapped around a bottle.' mel lamented.  'let glookman deal with him for a while.'

john razina thought back to happy hour yesterday. he knew exactly where sikorski was. probably hungover and drawing pin up pages for that chick's kid by now as he waited for his breakfast. mel skidmore bullshitted and complained about the distributors for awhile. even ended up pouring another round before telling john and melmon to try and pick him up one of those light up tiger heads from the circus. mel said he just loved thoes things as he laughed and shooed them out of his office. mel skidmore was an o.k. guy to work for most of the time, sure as hell beat working for mervin glookman.


chapter 4


melmon couldn't wait to get out of that bar in the empire state building. it was not his scene. strictly no-wheres-ville! nothing but forties and fifties warblers oozing out of the jukebox and full of all the old comicbook drunks that he didn't want to see. he lit up a joint as they cleared the doors of the empire state and offered john razina a  hit, john declined. he had never smoked dope.

when they hit madison square a few blocks away they headed imeditly for the beer stand. melmon ordered two. at which john thought he was buying a round, but melmon payed for and grabbed the beers then wandered off double fisted. leaving razina to sheepish order his own. they were looking at the concessions stands for one of those light up tiger heads for mel and checking out their tickets as they spotted sikorski with a kid on his shoulders. right next to him was the white mini-dress. the poor doomed fucker they both thought. as they headed down an entrance tunnel.

the show was pretty good. neither of them had been to a circus in a dogs age. about half way thru the show the spectacular sullivans came on. at first there was a knife throwing exibition, where presumably his father expertly thru knives all around the body of young danny! next up was danny solo escaping from some ungodly looking death trap that seemed like it was strong and powerfull enough to take out the first ten rows of the audience as well. after a hearty round of applause a girl dressed only in a wreath of laurels, announced the next part of the act as the whole family raced around a steel cage on dirtbikes. not bad at all! they were heading towards the tunnel as the ringmaser was announcing the next act 'the aristocrats' but decided to miss them in order to catch and figgure out what to do with danny sullivan.
 
chapter 5

john zarita didn't remember much. but he did remember, that was an awful lot of tequila that he drank after the circus, he also wondered about the tattoo that he found on his ass in the shower that morning. it stung like hell and he didn't even want to sit down on the train. he was almost sure that they had worked out some sort deal with the kids parents, or guardians or whatever the hell they were, that part got blurry. he did remember melmon getting along quite shamelessly with that kathy or katie or whatever her name was sullivan. the fuckin' irish he thought. they'll screw anything with a pulse! and for the most part it was true.

sally tane was the last thing he needed when he walked thru the doors at skidmore, but there she was waiting for him right next to his desk. she was clicking her heels and puffing unmercifully on a virginia slim. he almost turned around and walked back out. then melmon saw him. what the hell was he doing in here at 9am! zarita thought. he didn't have to wait long for an answer.


melmon led zarita straight into the editorial office, leaving sally tane rolling her eyes and cursing the  both of them.
'jeezus john i didn't know you could drink like that....... you feel as horrible as i do?' melmon asked.
'worse' zarita said. 'know anything about any tattoos last night?'
'tattoos? no why?' melmon asked, questioningly.
'nothin' never mind,' zarita said as he  very gently scratched his ass.
'did we get the kid?' john razita asked as he looked around for a trash can that he felt he might have to puke in.
'that son of a bitchin kid drank more than you did last night....... but yea we got him!' melmon said as he shuffled some papers on his desk began rolling a fat joint. 'soon as his circus thing is over he starts drawing spidora! i'm giving you a break john.'
what the shit? john thought, he had grown comfortable on the spidora book and it was kind of a shock to realize he was loosing it. monetarily it didn't matter much. he was on staff and drew the same paycheck no matter what he what he was doing, but still......spidora. shit! and to some smart assed kid that was calling him pappy? shit.
'and don't worry about sally tane' melmon said as he licked and rolled the joint, "send her in here and i'll take care of her."

when he walked out of melmons office the kid was there smoking one of jake klineberg's roi tan cigars with him and yucking it up with the senior cartoonist like they were old war buddies or something. razita couldn't believe it!
son of a bitch john thought as he headed towards the mens room to check out the tattoo that was burning on his ass, he locked the door and pulled down his double knit bellbotoms to get a look in the mirror. son of a bitch john mumbled to himself, it was a tattoo of one of those light up tiger heads that you get from the circus, that mel wanted! how the hell did that get there?

end of excerpt    (for now)


some of Danny Sulivans best work was for the short lived Red recluse series in the mid 1970's here are but a few of the famous Sulivan covers!










Thursday, September 10, 2015

The Saga of SALLY TANE

SALLY TANE BROKE INTO COMICS IN 1968, AS CONSUMMATE ILLUSTRATOR AND INKING EXPERT! SHE WAS FIRST PIGONED HOLED INTO SUE ANN RENOLDS TEEN ROMANCE BOOKS. BUT HER HEART WAS INTO ADVENTURE! THE BURNING DESIRE TO SCREW HER WAY TO THE TOP PROVED EVEN BETTER THAN NEPOTISM IN THE COMICS INDUSTRY! AS SALLY SOON LEARNED.
SALLY WAS A FREE SPIRIT PERFECTLY MATCHED TO MELMON AND HIS CABAL OF ARTIST AND WRITERS.

BEING THE ONLY WOMAN ON THE CREW MEANT LITTLE TO NOTHING FOR SALLY, A SELF STYLED ANARCHO-CHIC TYPE OF WOMAN, WAY BEFORE IT WAS Fashionable. SALLY FORGED HER OWN PATH IN THE WORLD OF COMICS LIKE NO OTHER MAN OR WOMAN BEFORE HER. except maybe for HORACE WOODLY who she tended to copy alot.

SALLY LIVED HER LIFE, AND EVENTUALLY DIED FOR ART. HER WORK ON THE ASTOUNDING SUB-HUMAN WAS NOTHING LESS THAN Astounding! FOR ONCE THE COVER BLURB LIVED UP TO IT'S HYPE! SHE APPRENTICED UNDER HORACE WOODLY FOR ABOUT 2 YEARS, UNTIL HORACE SAID 'I CAN'T TEACH  YOU ANY MORE...... YOUR TEACHING ME NOW!'

AFTER THAT IT WAS A BLUR OF  PAGES BEFORE SALLY, FROM ADVENTURE INTO WEIRDNESS TO THE MYSTIC KNIGHTS OF THE MYSTERY SCHOOL, WHERE SHE CO-CREATED THE SUPERGROUP "THE BURNERS" WITH BILL Bollingweather.

HER RUN ON bill TSO'S "MEET THE STRANGERS" WAS EXCELLENT, MELMON AND CREW WERE WATCHING..... ACTUALLY A LITTLE MORE THAN WATCHING.

SALLY TANE WAS A BRIGHT BRIGHT STAR IN THE BRONZE AGE COMIC SEEN, BUT THE COMPANY THAT SHE KEPT WAS SOMEWHAT QUESTIONABLE
.

BEING A FREELANCED ARTIST HAS IT'S PERKS, THE ARTISTS WOULD LEAVE YOU TO BELIEVE THAT THEY ARE SLAVISHLY CHAINED TO THE DRAWING BOARD, BUT IN REALITY MANY RELY ON CRUISING ON THEIR TALENT WHEN INSPIRATION FAILS TO SHOW UP OR REAL LIFE ANNOYINGLY INTERVIENS.
 SUCH WAS THE CASE IN 1979 WHEN SALLY AND HER POLITICAL BELIEFS MET UP WITH TEN STATE TROOPERS OUTSIDE THE 1ST NATIONAL BANK ON ST.PAUL STREET IN DOWNTON BALTIMORE.


IT WAS AN OPEN SECRET THAT TANE WAS COVERING FOR HORACE WOODLY FOR QUITE SOME TIME BEFORE HER FIRST SKIDMORE ASIGNMENT. WOODLY'S HEALTH WAS FAILING AND TANE JUST COULD NOT STAND THE THOUGHT OF LOSING  HER MENTOR. HER POLITICAL CONTACTS From THE SOCIALIST LIBERATION FRONT WERE  RIGHT BEHIND HER. IF A TALENT LIKE HORACE WOODLY COULD GO  UNAPPRECIATED AND UNDER-INSURED IN THIS WORLD. THEN SALLY TANE COULD REASONABLY AND WITHOUT ANY GUILT, KNOCK OFF ONE OF SKIDMORE'S DISTRIBUTORS EASILY AND EVEN THE SCORE.


BY 1975 THE DIMES HAD TURNED INTO QUARTERS FOR THE POOR DOWNTRODDEN COMIC BOOK PUBLISHERS AND LOOP HOLES IN THE CAPITAL GAINS TAX MEANT THAT OWNERS WERE SWIMMING IN THE DOUGH THAT THE YOUTH OF AMERICA WERE WANTONLY SPENDING. SALLY'S FIRST ACT OF REBELLION  WAS SABOTAGE! SALLY WAS NEVER WHAT YOU WOULD TERM 'A COMPANY GIRL' SHE  WOULD STIR UP THE SHIT WHEREVER SHE COULD FIND IT, IN INTERVIEW'S FROM THE TIME. SALLY WOULD NOTORIOUSLY  DERIDE THE CONCEPT OF ADOLESCENT  POWER FANTSAY . ALL THE WHILE EXTOLLING  THE BRAVE AND BOLD CONCEPTS OF THE NEW SCIENCE BASED BOOKS SHE WAS WORKING ON! SHE WAS A PROUD AND VOCAL MEMBER OF THE CREATORS CODE WHO PLEDGED  AN OATH OF SERVITUDE TO COMICS IN A 1974 MANIFESTO ENTITLED, 'WHO ME WORRY?'. PUBLISHED INDEPENDENTLY  WITH HORACE WOODLY IN HIS PRO-ZINE 'WIT'S END'.

 



ALL THIS WORK WAS WAS noticed and welcomed with with open arms as sally brought their coffee into the SKIDMORE SCIENCE HERO COMMUNITY, SALLY TANE WOULD BECOME A PIVITOL  PART OF THE COMICS INDUSTRY AS MORE AND MORE YOUNG MALE ARTISTS WERE DRAFTED INTO THE VIET NAM CONFLICT. IN RETROSPECT  IT WAS A PATHETIC AND A HORRIBLE WASTE OF AMERICAN TALENT SENDING ARTIST, WRITERS. ROCK AN ROLLERS AND DOPERS ALIKE INTO A IDEOLOGICAL STALEMATE THAT ONLY ROBBED WORLD CULTURE OF THE THINGS THAT MIGHT HAVE BEEN. AS MELMON ONCE QUOTED- 'SALLY KNEW THE HELL WE WERE ACTUALLY  LIVING IN ..... MAYBE  NOT CONSCIOUSLY.  BUT SHE KNEW! INTELLECTUALLOR META PHYSICALLY  SHE KNEW..... SHE HAD THE GIFT OF SEEING THE BLACK IRON PRISON THAT DEFINED OUR EXITANCE AND WAS ABLE TO EXPRESS HER DISCONTENT AS ELIQUINTLY  AS ART ALLOWS, SHE WAS A NATURAL FOR THE ADVENTURES OF ADAM O'BLIVION!'

ADAM O'BLIVION ROCKED THE  CORE OF SALLY TANE'S VULVA. ORIGINALY BROUGHT ON BOARD AS INKER FOR YOUNG ARTIST DANNY SULIVAN BUT EVENTUALLY  SIGNED ON AS ADAM O'BLIVIONS  PRIMERE ARTIST. TANE AND MELMON PRODUCED A TANTALIZING  TALE OF THE SKIDMORE UNIVERSE AND JUST HOW YOU THE READER FIT INTO IT!  THE SERIES WAS META-PHSICS 101 THAT QUICKLY ADVANCED INTO THE CURRENT STATE OF MANKIND. WHILE MOST AMERICANS WERE STRANDED IN GAS LINES AND OLD FOLKS WERE EATING DOG FOOD IN 1972.
MELMON AND TANE WERE CREATING A WORLD WHERE THE NEO-ROBBER BARONS OF 20TH CENTURY AMERICA WERE HELD HOSTAGE TO THE dark lords of the ANTI-UTOPIAN CONSPIRICY THAT WAS ENSLAVING A WORLD. 'ARE YOU READY FOR THE WORLD TO BE'...... WAS THE CONSTANT TAG LINE FOR ADAM O'BLIVIAN. MOST SKIDMORE READERS WERE WELL AWARE THAT THIS WORLD TO COME WAS IN FACT THE WORLD THAT WAS OUR FALSE REALITY! IT DIDN'T TAKE A GENUIS TO FIGGURE IT OUT, JUST A FEW DOSES OF LSD. WE HAD BEEN BOUGHT AND SOLD BY THE VARIOUS DIVISIONS OF THE CORPORATE MILITARY INDUSTRIAL MEGA-COMPLEX. A SAD EXISTENTIAL  FUNK FLOWED THRU THE BOOKS AND THE COUNTRY ITSELF AS ONE BY ONE THE TRUE ENEMY'S OF MAN WERE EXPOSED NIGHTLY ON THE LOCAL TV NEWS.  ADAM O'BLIVION SUCKED IT ALL IN. AND GAVE IT BACK OUT IN SPADES!

IN ISSUE #25 OF ADVETURES INTO OBLIVION  TANE MANAGED TO EXTRAPOLATE FROM MELMONS SCRIPT A SCATHING CAULDRON OF CORUPTION AND DECAY  THAT WOULD HAVE MADE THE OLD WRITERS AND ARTISTS OF 'G'WON CALL THE COPS' CORPORATE CRIMES DIVISION PROUD! TROUBLE WAS NOBODY COULD DO A DAMN THING ABOUT IT! THE ULTRA-RICH AND PRIVILEGED  CLASS HAD SUCESSFULLY HI-JACKED THE AMERICAN DREAM, AND SOLD IT BACK TO US AS A CHEAP IMMITATON OF FREEDOM AND CHIOCE. LUCKILY MEL SKIDMORE WAS ON HIS DEATH BED, SO MANY OF MELMON AND TANE'S DIATRIBES WENT UNOTICED.....FOR AWHILE!

READERS WERE LISTENING AND WATCHING and looking out for cops AS THE SAGA UNFOLDED, BUT THEY WERE NOT AMUSED! THE SERIES HAD CUT TOO CLOSE TO THE BONE AT THIS POINT IN TIME. RIGHT THERE IN THE AGE OF IRREVELANCY IN COMICS MELMON AND TANE HAD CREATED AN OPIS THAT WENT CONTRARY TO THE ACCEPTED IDIOMS IN COMICS OF THE DAY! IT WAS REVOLUTIONARY BUT IT TOOK A FEW YEARS OF HINDSIGHT TO FIGURE  THAT OUT!

IN LATE 1975 'SIR' NICK DIXON ABDICATED THE THRONE OF AMERICA AND OPENED UP A CAN OF WORMS THAT ARE STILL SQUIRMING AROUND TO THIS DAY. MORE IMPORTANTLY HORACE WOODLY HEALTH WAS GETTING WORSE. THAT WAS SOMETHING THAT SALLY TANE COULD NOT STAND FOR! IF SHE COULDN'T SAVE THE WORLD WITH HER ART, SHE SURE
AS HELL COULD SAVE HER BELOVED MENTOR HORARACE WOODLY!


WOODLEY HAD BEEN INKING STEVEN DIO OVER AT AXIS COMICS ON 'THE DETERORATOR'
SERIES. A SHORT LIVED LINE OF BOOKS PUBLISHED BY MARvIN GLOOKMAN IN HIS DEATH THROWS, AS AN ULTIMATE REVENGE PLOT AGAINST NATIONALISTIC/TIMELY COMICS! WOODLY HAD ALSO PRODUCED A LINE OF HILAROUS PORNOGRAPHIC COMIX THAT PUT THE UNDERGROUND CARTOONIST TO SHAME IN MAL GOLFINK'S 'SCREWED' MAGAZINE. IT WAS REAL BOTTOM OF THE BARREL  STUFF ACCORDING TO MOST COMIC FANS, BUT FOR ADMIRERS OF WOODLY IT WAS PURE GOLD! BESIDES BEING SOMEWHAT OF A GUN NUT, WOODLY WAS ALSO A CONFIRMED LIBERTINE IN THE  AREAS OF THE SEXUAL REVOLUTION THAT WAS BREWING IN THE MID 70'S.   TOPLESS, BRA-LESS AND GUILELESS WAS HOW WOODLY LOVED HIS WOMEN, NO SMALL WONDER WHY WOODLY AND TANE GOT ALONG SO FAMOUSLY! LEGEND  HAS IT THAT WOODLY WOULD GET THE BEST WORK OUT OF TANE IN THE SUMMERTIME WHEN IT WAS HOT AS ALL HELL IN WOODLEY'S CRAMPED STUDIO AND THEY WERE BOTH FORCED TO WORK IN THEIR Skidmore Comics Underwear  ON THOSE HOT 1960'S NIGHTS! A FACT THAT TANE HERSELF ONCE ALLUDED TO IN AN EARLY INTERVIEW!


AS WOODLY'S  HEALTH WORSENED. TANE NOW INSESSED  AT HOW SKIDMORE WAS TREATING ONE OF IT'S TOP TALENTS, UNDERTOOK A SERIES OF ARMED ROBBERIES WITH THE HELP OF HER PALS AN FELLOW COMICS FANS IN THE SOCIALST LIBERATION FRONT!  SHE SUCCESSFULLY  PULLED OFF A SERIES OF ARMED ROBBERIES  IN THE GREATER N.Y.-N.J. AREA BEFORE ELECTING TO HIT SKIDMORE WHERE IT HURT. middle America!


INSTINCTIVELY  SEEING THE ROOT OF THE PROBLEMS IN THE COMICS INDUSTRY, TANE WENT HUMORLESSLY....FOR THE JUGLER VEIN! THE CORUPT DISTRIBUTORS AND MIDDLE MEN THAT PLAGUED THE COMICS INDUSTRY SINCE IT'S INCEPTION. ALL TOO OFTEN MEN WITH NAMES LIKE SOL OR MERL OR BUBBA HAD BEEN THE DISTRIBUTING  ARM OF SKIDMORE, UNDERCUTTING  THEIR SALES AND RE-SELLING WORTHLESS, COVERLESS  COMICS TO AN UNSUSPECTING PUBLIC. IT WAS BLATENT AND OBVIOUS BY THE late 70'S THAT THESE REJECTS FROM A JAKE KlINEBERG COMIC WERE THE RATS WHO WERE LIVING FAT OFF THE BACK OF SKIDMORE COMICS!
SHE WAS ON A ROLL WHEN SHE TOOK OUT VINNIE CORNBLAT IN PHILADELPHIA AN ROBED HIM OF A MONTHS WORTH OF PROFITS FROM SKIDMORE. IT WA S A HOP SKIP AND A JUMP OVER TO ELIZIBETH NEW JERSEY TO LIBERATE 10 GRAND OFF OF Sy GLOOKMAN, ALL WAS GOING WELL AS SALLY TANE HIT HAL snUChMORE IN DOVER DELAWARE, ALL PROFITS GOING TO THE MEDICAL CARE OF WOODLY. THEN SALLY MET HER WATERLOO IN BALTIMORE.

ON THE TAIL END OF A 5 DAY CRIME SPREE, SALLY RETURNED TO HER HOMETOWN OF BALTIMORE MD. SHE STAKED OUT AND STRUCK LONGTIME DISTRIBUTOR ABE SHERvAN AT HIS MONEY LAUNDERING HONEY HOLE, THE 1ST NATIONAL BANK. SHOWNG ABSOLUTLY NO MERCY TO THE CAPITOLIST CRIMINALS IN THEIR SEAR SUCKER SUITS AND THE SOULLESS LACKIES THEY EMPLOYED, SALLY WENT BALISTIC! ONCE CONFRONTED WITH ABE SHERvAN AND THE ILL GOTTEN PROFITS FROM HIS "NEWS-STAND"OPERTION, A KNOWN FRONT FOR NARCOTICS AND AN ARRAY OF OTHER VICES THAT SALLY HAD KNOWN SINCE CHILDHOOD.......  SALLY TANE'S MIND SNAPPED!

THE BALTIMORE SUN REPORTED IN THEIR AUGUST 30TH EDITION FOR 1979 THAT A LONE GUNWOMAN BENT ON REVENGE FOR PERCIVED INJUSTICE'S ACCURED IN THE COMICS INDUSTRY HAD ATTEMPTED TO ROB THE 1ST NATIONAL BANK AND REGRETFULLY MURDERED BELOVED  NEWSVENDOR AND ROTERY CLUB MEMBER ABE SHERvAN BEFORE BEING CUT DOWN IN A HAIL OF BULLETS FROM MD, STATE TROOPRS ON LUNCH BREAK FROM COURT next to THE 1ST NATIONAL BANK ON ST. PAUL STREET. WHILE THEY WERE ATTEMPTING (UNSUCESSFULY) TO PICK UP HIPPIE GIRLS. the orioles also lost that night 3 to 7 against kansas city in a rain delayed game. there was a really nice cartoon of the oriole bird walking away dejected underneath a rain cloud on the top box in the corner of the front page of the paper.

IT WAS A GRIM DAY FOR COMIC FANS NATIONWIDE. SALLY TANE WAS DEAD...... CAUGHT WITH HER PANTS DOWN ONCE AGAIN, WHILE HORRACE WOODLY LANGUISHED IN A CHEAP WELLFARE HOTEL IN NORTH HOLLYWOOD. TWO DAYS LATER WOODLY ATE A BULLET FROM HIS 44 MAGNUM.

THEN IT WAS A GRIM WEEK FOR COMIC FANS....... POSSABLY THE WORST WEEK EVER!

THE FAN PRESS REPORTED THAT YOUNG COLLECTORS ACROSS THE BALTIMORE AREA
HOPELESSLY FELL IN LOVE THAT DAY. with Sally Tane comic books, BACK ISSUE SALES OF JOURNEY INTO OBLIVION SOARED! PART TIME COMICS DEALER MARTI RESNIC OF MARTI'S COMCWORLD EXCLAIMED THAT HE HADN'T SEEN  ANYTHING LIKE IT SINCE THE SPECULATORS MARKET SALES ON SHA-BOOM #1.


MELMON AND SKIDMORE RAN A TASTEFULL OBITUARY ON THE 'LET'S RAP WITH MELMON' PAGE IN ALL ISSUES OF THE NEXT MONTHS SKIDMORES. ADAM O'BLIVION AND SKIDMORE WOULD SURVIVE FOR A FEW MORE YEARS BEFORE SUCUMING TO THE FORCES THAT SALLY TANE SO ADMANTLY ABHORED. 'SHE WAS A TRUE VISIONARY AND WE BARELY LISTENED' EXCLAIMED MELMON IN A 1985 INTERVIEW. 'IF I HAD HALF THE BALLS OF SALLY TANE SKIDMORE WOULD STILL BE OUT THERE AS KINGS OF THE COMIC BOOK MARKET.' LAMENTED SKIP SKIDMORE IN A CRESTFALLEN SPEACH TO SKIDMORE EMPLOYEES AS THEY RECIVE THEIR FINAL PAYCHECKS IN 1982.
AT  HER FUNERAL BARLINGTON WINDHIEM SMYTE WAS ELECTED TO GIVE HER EULEGY. BARLINGTON HAD ONLY MET SALLY TANE ONCE OR TWICE BUT HAD SUCH AN IMPRESSIVE BRITISH ACCENT THAT HE WAS A SHOE-IN FOR ALL DEAD CARTOONIST FUNERALS FOR THE NEXT DECADE.
THE AGE OF SKIDMORE WAS DRAWING TO A CLOSE. IT'S JUST AS WELL THAT SALLY TANE NEVER SAW WHAT THEY DID TO HER BELOVED COMICBOOKS IN THE 1980'S AND 1990'S. FOR MOST COLLECTORS OF THE BRONZE AGE , COMICS DIED WITH THE DEATHS OF WOODLY AN TANE. EXCELSIOR PILGRIM! EXCELSIOR.




Saturday, September 5, 2015

The Legend of Robo and Bobo The World's most commercialized punk rock comic book ever!

Robo and Bobo were of course the breakout characters of Top notch Detective comics and the first of the new science heroes to make it really bis after the collapse of the Comics Code. With a prime time TV show from 1965 to 1967, Robo and BoBo were riding high in the comics until the age of Irrelevancy began in the early 1970's. After that the Dyslexic Duo seemed old fashioned and a bit corny in the face of the Far Out Generation. It wasn't until the early Eighties when Manley S! Melmon moved out to LA after the death of his girlfriend Sally Tane, that he re-imagined the characters as a pair of sociopathic punk rock science heroes on the mean streets of Los Angeles during the birth of the American hardcore punk rock music scene!
Melmon was no stranger to punk rock and had been hanging out at CBGB's in New York since before the Ramones even began practicing. LA punk was a bold new breed of the genere and seemed to translate well into comics! There weren't a hell of a lot of Punks around the country outside of LA,  and for some unknown reason Washington D.C. but one thing was for sure..... They All Read Skidmore comics! Robo and BoBo became the unofficial mascots of the early punk rock movement and will be forever be associated with this particularly ugly time in music history!

It was also a new innovation in comics by Melmon, the world's first sideways comics! It never took off though. the comics got lost in the spinner racks and the tiny print ruined everybody's eyeballs. To this day collectors curse Melmon, Robo and BoBo and even Skidmore comics for their myopic vision and the commercialization of the punk rock movement in general. Within half a year nearly half of the Skidmore Science Heroes would be sporting Mohawk hair cuts and wearing Leather jackets.
 After about 1983 when the scene had died away, no one had a steady job and they had no place to stay. Robo and BoBo were cancelled just before the Skidmore Implosion would occur and the company would close it's doors forever. Ownership of Robo and BoBo would be claimed by breakfast cereal giant Quaker Otis and optioned off to Hollywood where in 1989 a new 'Goth' BoBo would hit the movie screens for a series of progressively dismal movies that verged on the ridiculous toward the end.
Today the old 1980's Robo and Bobo comics are commanding a small fortune, as they were mostly kept around squats and punk rock houses and got beer spilled all over them and had Hitler mustaches drawn all over the covers and were generally mishandled and bent out of shape by non comic book readers who thought it might be cool to read a comic book in the middle of a basement show or keg party or something. Finding a NM (near mint) copy is next to impossible. trust me. Here now are a few select covers of the infamous series that still ring true for the kepers of the flame of true punk rock. All twelve of them!
Sadly just as the Skidmore comics was about to implode on itself, Bobo was awarded his own series. It only saw one issue before the walls came crumbling down and has the unique distinction of being the last original comic book to be published by Skidmore before going into the All Classic Reprint comic that would be the beginning of the end for the comic book giant. Quaker Otis wisely converted the comic into a crappy newspaper strip that ran in many community newsletters and even penny saver ad zines that were popular with cheapskates of the early Eighties. The popularity of Bobo rose once more and became one of the most heavily bootleged T-Shirts of the time!
The movies, the newspaper strips and the bootleg T-Shirts meant little to the comic collectors of the day, what they wanted was more Robo and Bobo comics. But that was just not to be. Somehow they found out that you just couldn't exploit comicbooks the way you could with science hero bricabrac and gee-gaws, which seemed to fly off the shelves. Even if people had never seen the comics. It was a marketing strategy that worked for Quaker Otis and his crew of trend setters! To this day you will occasionally find a Bobo prize inside your breakfast cereal or a commemorative jelly jar glass of Robo stuck all the way on the back of the shelf in your local supermarket, courtesy of the money grabbers at Quaker Otis. As of this writing America is eagerly awaiting the release of the Bobo meets Gooberman Movie which is due to hit the screen for the Christmas shoping season and it is expected to be one of the most exploited charters in action figure history. With several hundred variant versions and slightly different and totally worthless packaging plans going in to effect as we speak, thanks to someone at Quaker Otis who found an old copy of Skidmore's "Crisis of Infinite Births" comics.